Having given a brief recap in Part I, how do we now decipher the Karen Mulder cryptogram? There are any number of disciplines one could use, but since there is no evidence other than Mulder‘s own words, and since her own words are often contradictory, we conclude the psychological is the one best suited to solving the riddle.In attempting to psychologically evaluate Mulder's claims, we must first ask whether or not Mulder was psychologically stable when she made her initial claims to Ardisson and VSD. On the surface, it would seem this answer is dependent upon whether Mulder's story was completely true, partially true, or completely untrue. But in point of fact, the truthfulness of Mulder’s allegations makes no difference — we have to assume Mulder was psychologically unstable. Why? Because if her story were only partially true or completely untrue, then Mulder would be out of balance with the eternal cosmic order. She would be, in the parlance of the day, criminally insane. Because any person who would partially or completely fabricate a story against any other person or persons would be guilty of violating the Creator's Ninth Universal Law: Thou shalt not bear false witness against thy neighbor (Exodus 20:16). The fact this marks nearly everyone who has ever lived as criminally insane does not alter the validity of the Law. Let God be true, but every man a liar as Paul said (Romans 3:4).
And yet even if Mulder story were completely true, the lifelong trauma she claims she suffered would leave her mentally unstable, as her claim of memory gaps would validate. So it is necessary to conclude that Mulder was psychologically unstable when she made her initial claims. And knowing this, we can therefore say with absolute certainty that her story was completely true, partially true and completely untrue. It is not the case that one could not make a valid argument for anyone of the three possibilities. Certainly one can make such an argument. But understanding that Mulder herself is unstable, one must be able to recognize her story as simultaneously true, partially true, and completely untrue. How can this be? Simply stated, Karen Mulder suffers from psychic splitting, due to multiple psychic rapes, which allows her to exist in different states of reality.
Psychic splitting is an unconscious process by which positive and negative impulses and feelings that are too difficult to be held together spring apart and become projected onto different people. Under a diagnosis of psychic splitting, one can postulate any number of origins for the mental breakdown of Karen Mulder. In the interest of brevity we will provide only the most probable:
It is most likely that Mulder was, indeed, raped as a child. The supermodel's entire life fits the well-established profile of the sexually abused young girl. First, there is the repressed childhood memory of the sexual trauma, which only comes back in memory fragments later in adult life (and these are scientifically legitimate memories, notwithstanding the wicked efforts of the pedophile controlled so-called False Memory Syndrome Foundation to discredit the validity of the recovered memories). Second, the repressed sexual trauma in the adolescent girl leaves the poor creature with a bewildering sense of powerlessness and a general discomfort with her body. To overcome this double-helix of neurosis, the young woman often displays shameless exhibitionism and extreme sexual promiscuity. Often the victim of childhood sexual abuse works as a prostitute or so-called *exotic dancer,* with the self-employment of the body allowing the disturbed women to gain a false sense of control over her body. Indeed, sensing the pathetic carnal desires of the sexually disturbed males who seek the services of prostitutes, or observing the sexually disturbed make in the ridiculous, weak and worshipful posture of kneeling at the altar of the Exotic Dance Goddess with rolled-up dollar bill in mouth, patiently waiting to drop his perverted tithe into the dancer's/goddesses panty-lined offering box, the woman gains a false sense of power, and makes peace with her body.
In the case of Karen Mulder, certainly she manifested shameless exhibitionism. Her career as a model consisted primarily of converting semi-nude on the runway (and runway *work* is certainly akin to performing on the *exotic dance stage,* in that there is a similar degrading energy emanating from the male members of the audience, which fuels the model's feeling of power) or in magazines, catalogs, etc., etc. Indeed, as a supermodel, Mulder overcame her feelings of powerlessness and body discomfort by gross overcompensation: she became nothing but a body, nothing but an object, a flesh-clothed mannequin. And when Mulder made the claims her modeling agency forced her into having sexual relations with influential persons, this is likely nothing more than a reverse overcompensation. With the realization of her childhood sexual abuse, Mulder undoubtedly viewed the sexual promiscuity she engaged in as a supermodel, which fueled her feeling of power, with revulsion. Thus yet another psychic splitting occurred, and Mulder convinced herself that her shameful sexual history was not consensual, but just a lifelong continuation of rape as a mind controlled sex slave. But by alleviating her shame at her sexual reprobation, Mulder once again was left feeling powerless. A vicious sexual circle which engendered further psychic splitting. . .this time manifesting in paranoia, with the belief she was a victim of a conspiracy. And to further ease her own sense of guilt, Mulder needed to convince herself that this couldn’t only just have happened to her, because of some weakness peculiar to herself, no, there had to be many, many other girls who had also been similarly bewitched. . .hence, Mulder's desperate attempt to include Ophelie Winter, who had the misfortune to be in the right television studio at the wrong time.
Earlier we advised but understanding that mold her self is unstable one must be able to recognize your story is simultaneously true, partially true, and completely untrue, and that she was able to exist in different states of reality. To explain how this is demonstrated in Karen Mulder‘s life, it is important to examine in greater detail the impact of Mulder's emerging memories of her childhood rape on her adult sexual promiscuity.

With the terrible realization, hitting her in bits and pieces of obscene flashbacks, that her body had been sexually violated as a child. . .and let us pause here, reader, and try to imagine the mental pictures locked up in the confused mind of a two year old girl. . .from the perspective of the innocent toddler, the rapist must seem the size of a giant. . .a nude, leering, hairy ogre. . .with a throbbing, angry red horn protruding from between its legs. . .now, 31 years later, these mental jigsaw puzzle pieces of a distant sexual nightmare bubble up in the brain to haunt the Dutch beauty. . .so we must realize not only was there a past physical violation, but now a filthy psychic sexual smog pollutes the spirit and soul of the famous supermodel, which forces her to reevaluate her adult sexual history. Thus begins the alternate sexual realities she recounts to the media. The most psychologically important of these are Mulder's rape applications against Princes Albert and Rainier.To understand why Mulder made these astounding claims we must realize the two Princes, in all probability, came to represent in her damaged mind the sum of male humanity. This is likely the case because Albert and Rainier, whom Mulder met on numerous occasions in real life, were *Royal* males, with Royalty, especially in the European mind, still carrying the aura of the near -divine. . .the pinnacle of humanity, towering far above the grubby mass of the common man. When encountering Albert and Rainier, whether upon viewing them in the audience from the runway, or meeting them at parties, social functions, etc., Mulder likely saw in their eyes and observed in their body language that degrading sexual energy which once, before the memory of childhood sexual abuse, gave her a feeling of power. This naked lust from the Princes may or may not have been real. . .the *reality* of Mulder's encounters with the Princes, short of the assumed *fact* that rape did not occur, does not matter. . .all that matters is Mulder perceived sexual energy from the Princes. . .and this same energy which once fueled her sense of power now threatened her and frightened her. . .because her memory of childhood rape transformed her image of herself from a powerful woman who could manipulate men with her body to that of a helpless victim. . a victim living in fear that any man who *looked* at her might drag her off into a dark corner and rape her again and again and again.
Thine eyes shall behold strange women, and thine heart shall utter perverse things (Proverbs 23:33).

Supermodel Karen Mulder not only must have lived with a new and overpowering sense of vulnerability, but also with a new and emotionally crippling sense of disgrace. Now discovering her *true* reality as *victim,* she must have felt massive guilt and shame over her career as a nude or semi-nude *model,* a professional body, a flesh object. . .an object that only became real when other people assigned her meaning. . .such as when celebrated designers draped her in their costumes and sent her off down the runway as the world‘s most attractive coat hanger. Looking at her own nude or semi-nude image in hundreds of magazines and catalogs, with thousands of staged scenes of varying degrees of sexual innuendo (including one controversial photo shoot in the Paris subway where she simulated being a victim of a rape for Glamour France) in which she let her body be commercially abused, it is impossible not to assume that Mulder did not suddenly suffer massive psychological shock from the realization she was a victim of a world-wide psychic gang rape (a factor in her conspiracy paranoia). . .yes, even as the glamorous supermodel studied her image imprisoned in the chicly sleazy pages of a Victoria’s Secret catalog, she felt the psychic sexual assaults from the four corners of the globe as tens of thousands of males, from all of the-still-chubby-cheeked-ten-and-eleven-year-olds awkwardly tugging at their genitals while drooling vacantly over her lace-covered breasts to all of the grizzled convicts delaying their self-gratification until their Mulder-starring mental movies of sexual sadism (featuring scenes that would sicken Italian goremeister Dario Argento) played out, psychically raped her. . .and Mulder also must have realized in almost the same instant that the rapes would never stop. . .she would be continually psychically raped for as long as the hundreds of thousands of copies of her image circulated throughout the world. Her body had been used by a man when she was a child. . .and, unwittingly with her *career* as a supermodel, she had pimped her own body to be used by all men for all time. The psychically ravished Mulder was left no choice but to transfer her own guilt in exploiting her own body onto Prince Albert and Prince Rainier, who, as Mulder's *real life* representations of the sum of all men, were the chosen two scapegoats to carry all the rapes of every man who would ever abuse the image of the supermodel.